BALORDI

Mirjam Kubescha


The heart of the enchanting Tuscany landscape is home to one of the best guarded prisons in Italy. This fortress in Volterra is also backdrop for the performance of Bertolt Brecht's Dreigroschenoper, played by the inmates themselves.
These tattooed, muscle packed men exhibit a completely different side of themselves as they run around the theatre like puppies. For quite some time, it seems as if we are watching two different documentaries: one about hard prison life, and the other about frolicsome actors in eccentric plumage.
But gradually the two melt together: one prisoner talks about Kalashnikovs while he is ready, with thick make-up on, to jump onto the stage.
Stories about the isolation cell, where one of them from pure misery made friends with a rat, are alternated with images of the rehearsals, the singing of critical songs and practicing of erotic dance steps. Meanwhile, we learn more about their background.
One convict already had a gun when he was a fourteen-year-old boy in the slums of Palermo. Another always dreamt of joining the Mafia or becoming a doctor. Now that they are all in the same boat, these former street kids have combined forces.

What is hidden within the walls of the Castle of Volterra?

Biggest Renaissance castle in Italy, it now houses a top security prison. Most of its inhabitants come from the poorest South of Italy. Jailers have the same origins, too.

Prince, Nicola, Vincenzo, Sabino and Adamo talk about their lives, before and after their arrests. Following their origins, the story leads us all the way to the South, to meet their families.

What links their lives always is poverty and no prospect at all.

Characters are portrayed together with other prisoners while working on an adaptation of Bertolt Brecht’s Three Penny Opera. Their final performance mirrors the plight of their condition:

being brought up in a society that has cut them off. For their entire lives.


“Everybody is equal before the law. But there’s nothing more unjust than that.” (M. Kubescha)

Germany, Italy, 2007/8

colour, 35mm, 80 minutes

Director: Mirjam Kubescha

Production: Mirjam Kubescha

Screenplay: Mirjam Kubescha

Photography: Sophie Maintigneux

Editing: Mirjam Kubescha

Sound: Michael Vetter

Screening copy: Confinefilm